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	<title>Goswin Schwendinger, artist,  recent selected projects.</title>
	<link>https://schwendinger.london</link>
	<description>Goswin Schwendinger, artist,  recent selected projects.</description>
	<pubDate>Fri, 07 Nov 2025 13:57:24 +0000</pubDate>
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		<title>Untitled Page</title>
				
		<link>https://schwendinger.london/Untitled-Page</link>

		<pubDate>Sun, 05 Nov 2023 16:09:17 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

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		<title>+ 1 -Hospitality as Artistic Practice</title>
				
		<link>https://schwendinger.london/1-Hospitality-as-Artistic-Practice</link>

		<pubDate>Fri, 07 Nov 2025 13:57:24 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/1-Hospitality-as-Artistic-Practice</guid>

		<description>

+ 1 /Frankfurt, 2025


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Group Show “+ 1 Hospitality as Artistic Practice” Stifstrasse 30, Frankfurt a. M./Germany&#38;nbsp;+1 transforms the former Mainova Hall in Frankfurt into a space of encounter and artistic hospitality for two weeks.&#38;nbsp;From video game essays to painting, sound and video installations, and dance performances, more than 20 international artists from Frankfurt, Berlin, London, New York, Seoul, and Beijing will transform the former Mainova Hall at Stiftstraße 30 in Frankfurt into a temporary art laboratory. For two weeks, the space becomes a site of hospitality, encounter, and artistic experimentation.

Initiated by artist and curator Olga Ulmann together with Mison Schreff and Martin Winkler, and supported by&#38;nbsp;Rock Capital Group, which is currently redeveloping the building, the project translates the idea of hospitality into artistic practice.Each invited artist brings a second artist — another voice, another perspective — forming collaborative duos that span painting, sculpture, sound, performance, and digital media. Together they explore new forms of exchange, co-authorship, and transience.
The participating artists include Coby-Rae Crosbie &#38;amp; Inès Murer,&#38;nbsp;Shanjie Dong &#38;amp; Kaitong Zhang,&#38;nbsp;Serkan Gören &#38;amp; Ning Yang,&#38;nbsp;Dianne Hebbert &#38;amp; Ponnapa Prakkamakul,&#38;nbsp;Mai-Li Helweg &#38;amp; Jen Wong,&#38;nbsp;Joe + His Brothers,&#38;nbsp;Kendall Glover &#38;amp; Goswin Schwendinger,&#38;nbsp;Yun Kima &#38;amp; Mahmoud Ismail,&#38;nbsp;Martin Winkler &#38;amp; Party of 22,&#38;nbsp;Mison Schreff &#38;amp; Lisa Gareis, and&#38;nbsp;Olga Ulmann &#38;amp; François Schwamborn.

Across these collaborations — from immersive sound and sculpture to performative gestures and mixed-media environments — hospitality, openness, and sensitivity to space form the connective tissue of this temporary collective experiment.


video of the show {CLICK}

Kendall Glover X Goswin Schwendinger
&#38;nbsp;


Kendall Glover &#38;amp; Goswin Schwendinger
The Planet Mercury Sings Like a Crystal Goblet / The Listening Body

The duo presents a collaborative work merging sculpture and sound. Glover’s sculpture, The Planet Mercury Sings Like a Crystal Goblet, engages directly with Schwendinger’s sound performance The Listening Body, performed on a large symphonic gong. The resonant vibrations of Schwendinger’s sonic environment animate Glover’s form, allowing the sculpture to respond physically and conceptually to sound. Together, their practices complement and inform each other — sculpture and resonance becoming one sensorial field that opens deeper layers of perception and meaning.




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		<title>Eucalyptus Phase Zero</title>
				
		<link>https://schwendinger.london/Eucalyptus-Phase-Zero</link>

		<pubDate>Mon, 02 Jun 2025 13:11:08 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/Eucalyptus-Phase-Zero</guid>

		<description>Eucalyptus Phase Zero, 2024




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Goswin was invited to conceive and present an impromptu solo intervention within the gardens of QBHQ, a project space situated in Hackney, London. This site-responsive installation continues his ongoing exploration of material ecologies and postcolonial narratives through the recurring use of eucalyptus bark—a material that has become emblematic within his practice.

Originating from Australia, the eucalyptus tree is known for its distinctive exfoliating bark, which it sheds cyclically throughout its life span. This natural process of renewal, decay, and transformation resonates deeply with Goswin’s conceptual interests, particularly in relation to themes of impermanence, regeneration, and the layered temporality of organic matter.

Simultaneously, the artist engages critically with the tree’s colonial legacy. Widely exported and introduced into non-native landscapes during imperial expansion, eucalyptus has often disrupted local ecologies—its high water consumption contributing to drought conditions and soil degradation. Goswin harnesses these problematic histories, embedding them within his sculptural language to interrogate the environmental and geopolitical consequences of displacement and forced adaptation.

In this new iteration, the eucalyptus functions both materially and symbolically—at once a tactile remnant of natural cycles and a charged signifier of colonial imposition. The work thus oscillates between poetic gesture and pointed critique, situating itself within a broader discourse on landscape, trauma, and the politics of growth.
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		<title>REPRIORITISATION</title>
				
		<link>https://schwendinger.london/REPRIORITISATION</link>

		<pubDate>Wed, 29 Apr 2020 16:20:17 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/REPRIORITISATION</guid>

		<description>

REPRIORITISATION, 2020


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Group Exhibition “Me and my Friends” at Korai Project Space, Nicosia, Cyprus&#38;nbsp;REPRIORITISATION is an artwork consisting of 3 pieces, including a print, candy syrup with hibiscus flower and a 7 minute soundsphere. Due to circumstances regarding the COVID epidemic, the sound piece is not played over headphones at this show. An online link is provided. 
"Me and my Friends" is a two part exhibition organized by Andreas Mallouris. The programme is supported by the Cultural Services of the Ministry of Education of Cyprus. Opening: Tuesday 27th of October 2020 at 19:00Duration: 28.10.2020 - 10.11.2020 (Wednesday 5-7.30pm and by appointment tel. 97871717)
My dearest,You may recognize me from the following:My emoji adorned comments when I follow your online activity; calling you after multiple lapses around a forlorn neighborhood in search of the street I cannot find, knowing fully that you will also be of no help; the relief when I fear I am alone in the world but suddenly recall of you.Distance is obsolete in the territory of our friendship. We always pick up from where we left off. Your concern is an act of gratuitous love. A gathering with my friends reveals the eminent that is drawn out from the common place events which summarize our life. We celebrate this pact by contributing in the same space. My friends and I meet again and we invite you to our convergence.Participating artists:

Dionisis ChristophiloyiannisEvangelia Dimitrakopoulou Perce JerromLia LapithiKarolina MajewskaAndreas MallourisAndreas MartiAnastasia Mina Eleni OdysseosYorgos PetrouNana SachiniGoswin SchwendingerNicolas Vamvouklis
Pantelis Vitaliotis Magnetovideo of the show {CLICK}

Me and my friends&#38;nbsp;02:42 mins
&#38;nbsp;


RADICAL REPRIORITISATION is an artwork consisting of 3 pieces, including a print, candy syrup with hibiscus flower and a 7 minute soundsphere. Due to circumstances regarding the COVID epidemic the sound piece cannot be played over headphones at this show. An online link will be provided. 




&#60;img width="1667" height="1667" width_o="1667" height_o="1667" data-src="https://freight.cargo.site/t/original/i/ce094d932b449334c67356dc46d86e8d20eb5dbee485d33069559fadc6b2c7d4/QR_SCHWeNDINGER.jpg" data-mid="86479158" border="0"  src="https://freight.cargo.site/w/1000/i/ce094d932b449334c67356dc46d86e8d20eb5dbee485d33069559fadc6b2c7d4/QR_SCHWeNDINGER.jpg" /&#62;


Sound Piece {click} RADICAL REPRIORITISATION&#38;nbsp;07:18 mins&#38;nbsp;



</description>
		
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	<item>
		<title>Territories</title>
				
		<link>https://schwendinger.london/Territories</link>

		<pubDate>Wed, 01 Nov 2023 10:40:20 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/Territories</guid>

		<description>Territories


	
		
		
	
	
		
			
				
					
						
a sound work by Goswin Schwendinger, 2023
sound file .wav, 05:06 minutes

					
				
			
		
	
at:A City-center Seaview Penthouse at Oceanic
Curated by Andreas Mallouris20 - 22 October 2023 Limassol Art Walks 2023




 Off-site sound installation at Suite 803, Oceanic Court232 28th October , 3035 Limassol



 Participating ArtistsAlkis Hadjiandreou, Maria Loizidou, Andreas Mallouris, Helen Michael and
 Anastasia Mina, Eleni Odysseos, Evi Palas, Iordanis Papadopoulos, Maria
 Petrides, Scott Rogers, Sarah Rose, Nana Sachini, Goswin Schwendinger, 
Natali Yaxi


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goswin · Territories Goswin Schwendinger</description>
		
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		<title>Ghostshow</title>
				
		<link>https://schwendinger.london/Ghostshow</link>

		<pubDate>Wed, 14 Dec 2022 16:34:57 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/Ghostshow</guid>

		<description>Ghostshow: The Haunted House
Ghost Show: The Haunted House is a
 one-week art exhibition using the classic ‘haunted house experience’ to
 think about new ways of exhibiting art, supported by Arts Council England and curated by Kavitha Balasingham and Rory Beard.&#38;nbsp;
In Light Of Recent Events,
An aged, silvered mirror leans against the wall, cushioned by two folded wool blankets. Between them spreads a dense field of hardened hibiscus candy, its surface both seductive and resistant. Across the mirror’s skin, the phrase “In Light Of Recent Events” is inscribed in red and underlined, hovering between declaration and residue. From behind the reflective plane, a low, resonant soundtrack emanates, activating the work as a spatial and sonic environment.
goswin · In Light of Recent Events
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&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/15b21889e715d8e5a01dfca759090c84d644c00c8bf7b70379ca3ada3046f463/Untitled-1.jpg" data-mid="162013184" border="0"  src="https://freight.cargo.site/w/1000/i/15b21889e715d8e5a01dfca759090c84d644c00c8bf7b70379ca3ada3046f463/Untitled-1.jpg" /&#62;

Residing within a bespoke theatrical horror setting in 
Copeland Park, working with 70 emerging artists to devise an inclusive, 
approachable programme for a wider audience beyond the gallery circuit. 
Exploring the fun side of contemporary arts, we will create an 
immersive, free halloween inspired environment to see if art can engage 
more immediately. The main focus of the exhibition is to think about how
 we can explore contemporary art in a more accessible, playful, and 
appealing way. The show looks beyond Halloween and Horror as a genre and
 uses it as a tool to explore the boundaries of the white cube space and
 contemporary art by not conforming and making it more accessible to the
 community of South London that we as the curators and artists feel part
 of.

Ghost Show: The Haunted House seeks to subvert the 
gallery space and invites a fresh perspective to viewing art through a 
spoof art show vs spoof haunted house. The tension between these 2 
tropes comment in a playful and humorous way on both the art sphere and 
the eeriness of Halloween. By doing so, we hope that it appeals to the 
imagination of the young and local community, encouraging them to enter 
and contribute to art spaces more regularly.


The aim is 
to encourage people to engage with art, think more creatively about the 
world and be more accepting of diversity. We will run 5 artist-led 
community workshops to allow communities (SENS, primary schools and 
locals) to contribute to the Haunted House, including: drawing, collage,
 performance, sound, storytelling and ghost tours.
&#60;img width="450" height="450" width_o="450" height_o="450" data-src="https://freight.cargo.site/t/original/i/573d1c6adb25dcd08233d89b2be18a319eb956bec05d154b11c173fd7fbc3367/qrcode_ghostshow.cargo.site.png" data-mid="162020921" border="0"  src="https://freight.cargo.site/w/450/i/573d1c6adb25dcd08233d89b2be18a319eb956bec05d154b11c173fd7fbc3367/qrcode_ghostshow.cargo.site.png" /&#62;



CLICK for Walk-Through video

&#60;img width="4452" height="6830" width_o="4452" height_o="6830" data-src="https://freight.cargo.site/t/original/i/b7a27e86e1b3008a2f14000ae3e038a9d89af169bddc5be6aac60aa1487ef28f/IMG_0594.jpg" data-mid="162023373" border="0"  src="https://freight.cargo.site/w/1000/i/b7a27e86e1b3008a2f14000ae3e038a9d89af169bddc5be6aac60aa1487ef28f/IMG_0594.jpg" /&#62;
&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/e7c68ab23088c131f3b71f490551cd5a08116097c02af0341aab93400f15d0b5/IMG_0595.jpg" data-mid="162023374" border="0"  src="https://freight.cargo.site/w/1000/i/e7c68ab23088c131f3b71f490551cd5a08116097c02af0341aab93400f15d0b5/IMG_0595.jpg" /&#62;

images by Gillies Adamson Semple
</description>
		
	</item>
		
		
	<item>
		<title>False Clarity</title>
				
		<link>https://schwendinger.london/False-Clarity</link>

		<pubDate>Wed, 14 Dec 2022 15:17:19 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/False-Clarity</guid>

		<description>False Clarity
A group show at Frappant Galerie in Hamburg
&#60;img width="1440" height="1795" width_o="1440" height_o="1795" data-src="https://freight.cargo.site/t/original/i/d1a53631ce9dca55e0006f20bb36e33c471f5156f3dae435c07b526ced7a35a9/FALSE-CLARITY2.jpg" data-mid="161939163" border="0"  src="https://freight.cargo.site/w/1000/i/d1a53631ce9dca55e0006f20bb36e33c471f5156f3dae435c07b526ced7a35a9/FALSE-CLARITY2.jpg" /&#62;

&#60;img width="1242" height="1850" width_o="1242" height_o="1850" data-src="https://freight.cargo.site/t/original/i/1d6a4d7f9318edcef0142cbfc43f99dc885ffaf690b2b01f9dd65e390c5cb4c5/False_Clarity1.JPEG" data-mid="161939045" border="0"  src="https://freight.cargo.site/w/1000/i/1d6a4d7f9318edcef0142cbfc43f99dc885ffaf690b2b01f9dd65e390c5cb4c5/False_Clarity1.JPEG" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>RADICAL EMPATHY</title>
				
		<link>https://schwendinger.london/RADICAL-EMPATHY</link>

		<pubDate>Wed, 17 Jul 2019 13:19:50 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/RADICAL-EMPATHY</guid>

		<description>

RADICAL EMPATHY, Goldsmiths University, 2019



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&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/2015e6ad77ba6040dad3fa8635e6b65e4bdc711adf2b117270926c0fe8cd67b6/190708_interim-358-copy.jpg" data-mid="47266862" border="0"  src="https://freight.cargo.site/w/1000/i/2015e6ad77ba6040dad3fa8635e6b65e4bdc711adf2b117270926c0fe8cd67b6/190708_interim-358-copy.jpg" /&#62;
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&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/a6896ebc744dde56bf3ebc6a3173c6d959dc2a3d08f520b18ae2a401121246bc/190708_interim-373.jpg" data-mid="47266877" border="0"  src="https://freight.cargo.site/w/1000/i/a6896ebc744dde56bf3ebc6a3173c6d959dc2a3d08f520b18ae2a401121246bc/190708_interim-373.jpg" /&#62;
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/e3c6450230390947a9ccd240972901d9b8d78d32296d061293f772336f94959f/190708_interim-347-copy.jpg" data-mid="47266852" border="0"  src="https://freight.cargo.site/w/1000/i/e3c6450230390947a9ccd240972901d9b8d78d32296d061293f772336f94959f/190708_interim-347-copy.jpg" /&#62;
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&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/385f7eb73ffdaea9a212c9cf9f0a0d0c7ccbdd902492e21b2feb7795d90466d5/190708_interim-344-2-copy.jpg" data-mid="47266850" border="0"  src="https://freight.cargo.site/w/1000/i/385f7eb73ffdaea9a212c9cf9f0a0d0c7ccbdd902492e21b2feb7795d90466d5/190708_interim-344-2-copy.jpg" /&#62;


Goswin Schwendinger’s practice is positioned on the peripheries of science and knowledge.&#38;nbsp; A field where questions of explainability and plausibility instantly arise and are often left unanswered. Schwendinger offers us a reading of a world where possible responses can perhaps be seen, felt and heard but not necessarily explained. It is in this grey zone, a liminal space, that today’s world needs to be navigated and where separation and dualisms shall ideally turn into the possibilities of inclusion. A wishful thought perhaps, but one that Schwendinger draws from.


RADICAL EMPATHY is an immersive moment that invites contemplation of the World Condition. Four large photographic prints made from digital files that could be seen as propaganda for change.


 In the centre is the video work Occurring Glade (Onkey/Donkey). This film piece was produced on a smart phone and is displayed using an analogue monitor. It portraits virtual occurrences of the non-physical in moving and evolving shapes and overlays it with excerpts of archival and filmed clips. This technique highlights both the drama and the absurdity of our world. It is also in this threshold that today’s world is defined, negotiated and understood. The shift from the physical to the digital realm emphasises a need for the realisation of the acerbities of binary and normative individualism. RADICAL EMPATHY is an urgent call for immediate de-programming.


Occuring Glade (Onkey/Donkey)
Video 15:02 mins</description>
		
	</item>
		
		
	<item>
		<title>I Don't Want It Anymore</title>
				
		<link>https://schwendinger.london/I-Don-t-Want-It-Anymore</link>

		<pubDate>Wed, 24 Jul 2019 17:15:03 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/I-Don-t-Want-It-Anymore</guid>

		<description>

I Don’t Want It Anymore, Group Show, Biscuit Factory, 2019
&#60;img width="3508" height="4912" width_o="3508" height_o="4912" data-src="https://freight.cargo.site/t/original/i/02ff7d96377fc853db4687b957c544ff4181b6705e032511b4794b6e70068441/5.jpg" data-mid="47280287" border="0"  src="https://freight.cargo.site/w/1000/i/02ff7d96377fc853db4687b957c544ff4181b6705e032511b4794b6e70068441/5.jpg" /&#62;
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&#60;img width="6013" height="4296" width_o="6013" height_o="4296" data-src="https://freight.cargo.site/t/original/i/2f8c1ed499886a3577c7246d59d541cd3bd8ce3725526a10adf2bae9dfecb32c/7.jpg" data-mid="47280290" border="0"  src="https://freight.cargo.site/w/1000/i/2f8c1ed499886a3577c7246d59d541cd3bd8ce3725526a10adf2bae9dfecb32c/7.jpg" /&#62;
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&#60;img width="6637" height="4740" width_o="6637" height_o="4740" data-src="https://freight.cargo.site/t/original/i/62adf40eb927d311861bf5972dd80c65262bcee905b6cd5823d3bfb34c03ad27/1.jpg" data-mid="47280281" border="0"  src="https://freight.cargo.site/w/1000/i/62adf40eb927d311861bf5972dd80c65262bcee905b6cd5823d3bfb34c03ad27/1.jpg" /&#62;
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&#60;img width="3508" height="4912" width_o="3508" height_o="4912" data-src="https://freight.cargo.site/t/original/i/02ff7d96377fc853db4687b957c544ff4181b6705e032511b4794b6e70068441/5.jpg" data-mid="47280287" border="0"  src="https://freight.cargo.site/w/1000/i/02ff7d96377fc853db4687b957c544ff4181b6705e032511b4794b6e70068441/5.jpg" /&#62;



Goswin Schwendinger’s practice is positioned on the peripheries of science and knowledge.&#38;nbsp; A field where questions of explainability and plausibility instantly arise and are often left unanswered. Schwendinger offers us a reading of a world where possible responses can perhaps be seen, felt and heard but not necessarily explained. It is in this grey zone, a liminal space, that today’s world needs to be navigated and where separation and dualisms shall ideally turn into the possibilities of inclusion. A wishful thought perhaps, but one that Schwendinger draws from. I Don't Want It Anymore is a an immersive moment, created in collaboration with electronic producer Quenum, who, through his long friendship with the artist is able to create relating soundspheres.&#38;nbsp; A reworked painting by the astronomer Charles Piazzi Smyht depicts a romantic representation of man vis-à-vis the universe, a romanticised individualism that feeds off of the separation from a universal continuum. A hand painted phrase I Don’t Want It Anymore is an urgent call for immediate de-programming in radical empathy.
Audio of Quenum’s live performance:&#38;nbsp;



Meanwhile at the Ken Langley Building, a run-down school building, 3 miles away in Deptford, Schwendinger played simmultaneously a sound piece in the staircase as part of this group show
Below a view of the Ken Langley Building’s stair caseand sound installation.&#38;nbsp;



</description>
		
	</item>
		
		
	<item>
		<title>TAKE ME TO YOUR LEADER</title>
				
		<link>https://schwendinger.london/TAKE-ME-TO-YOUR-LEADER</link>

		<pubDate>Wed, 24 Jul 2019 14:43:00 +0000</pubDate>

		<dc:creator>Goswin Schwendinger, artist,  recent selected projects.</dc:creator>

		<guid isPermaLink="true">https://schwendinger.london/TAKE-ME-TO-YOUR-LEADER</guid>

		<description>

TAKE ME TO YOUR LEADER, 2019&#38;nbsp;

Exhibition at Galera San Soda, Milan
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Goswin Schwendinger’s work acts as a reminder of how an art practice can confront rather than surrender to an ever-growing politeness or to already accepted forms of provocation. 
In his new work, TAKE ME TO YOUR LEADER, Schwendinger’s approach is to highlight scientific knowledge and confront that with the discipline’s own shortcomings and limitations. Through his installation we are being immersed and suspended within a seemingly timeless space contemplating the impossibilities, imperfections, contradictions and complexities of the World Condition. This experience invites us to search for a collaborative, if not collective interconnectedness with the growing urgency to by-pass social, political and economical conventions and restraints towards a shared consciousness.




Occurring Glade (Onkey/Donkey) video 15:02 mins&#38;nbsp;


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